View the Tour of the Cathedral
Gothic architecture originated in central Europe in the period
from the 11th to the 16th century. The name Gothic identifies with the ethnic
origin
of craftsmen
who developed stone masonry to the highest level of structural efficiency to
be achieved in the world at that time. Slender pointed arches, relatively thin
walls and refined details, characteristic of Gothic design, developed from
a desire to reduce the quantities of stone and structural weight required to
construct large masonry buildings. This resulted in large penetrations through
stone walls which could be lined with ornate tracery holding glass, taking
advantage of as much natural light as possible. Gothic design was frequently
chosen for ecclesiastical structures to express the aspiring nature of religious
beliefs. Local availability of stone made it the material of choice. Stone
masons of the period reached the highest level of expertise yet achieved in
their craft.
Gothic design became the dominant influence for large religious buildings
in France and England through the 19th century and, because of the Anglican
connection, Gothic design was selected for Episcopal churches throughout the
United States in the 19th and 20th centuries.
Grace Cathedral may be described as eclectic Gothic. It takes its character
from features chosen from a range of Gothic construction. Medieval or Early
English is the significant influence with details from the Decorated and Perpendicular
periods. Many of the great cathedrals of Europe have very high, elaborately
vaulted stone ceilings. Grace Cathedral departs from this with the use of timber
trusses bracketed on hammer beams, a construction most frequently identified
with Gothic community buildings and parish churches in Europe. The extensive
use of wood contributes greatly to the more intimate feeling of this building
when it is compared with all stone structures. The notable character of the
Cathedral is dignified simplicity. Extensive use of Kansas Limestone and carved
wood accented with bright brass give the worship space a sensation of being
warm and alive with strength and sensitivity.
Foundations for the Cathedra
l were laid starting in 1909 and work continued
until 1912 when the exterior was completed. Work on the interior was restarted
in 1916 and completed in 1917. On November 25, 1975 the roof and interior of
the Cathedral were totally destroyed by fire. Following a five month recovery
period work was started on restoration of the structure. Thirty months later
in October of 1978 services were being conducted in the building. Installation
of stained glass windows and woodwork has been a continuing process since 1978.
